Akira yoshizawa origami books pdf

By , a commission by Asahi Graf for a new set of zodiac origami brought him fame. The response encouraged him to continue to design new origami in his own style of Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online.

At the beginning of the 20th Century with the introduction of the legend Akira Yoshizawa , this craft started flourishing. Because of his utmost effort , people came to know the worth of the craft of Origami. Finally, refold C inwards, bringing it inside the dotted line to obtain Finally, shape the entire figure. Finally, fold a thin section of C superimposed on D inwards on as much of a diagonal as possible.

Finally, form the tail by folding D on the inside of the dotted line and pulling it in the direction of the arrow. Make an inside reverse fold with each of the four corners on the left 8 and right, then lift C and D up to the dotted line. Finally, invert them on the left. Side with the convex spine. After folding A and B down with valley folds 1, turn them up with 6 mountain folds 2. Finally, make the tiny crimp folds in the lower area, one by one. For the second variant, in step 14 push the point with arrow 7 inwards in order to shape the head, then make an outside reverse valley fold with A and B.

On the spine, press 1 and 2 inwards in the direction of the arrows, then firmly pull 3, 4, 5 and 6 in that order to round out the tail. The Karafuto or Sakhalin husky dog breed was once employed in Antarctic regions.

Thanks to its exceptional resistance and courageous nature, it was able to survive the tough winters of the South Pole. Start with the rear half 7 Fold C and D as in figure 8 , paying particular attention to the angle. Making a mountain fold, bring C and D to the back mountain folds C 8 and D should not be perpendicular to the vertical median.

You have thus formed the tail. Fold the upper left corner inwards, then fold the end of the tail and 16 invert D backwards, then repeat the steps done with D with C in order to obtain Front half 7 Raise C and D upwards.

But, the story goes, another animal is on its tracks. How can it prevent itself from being seen? The little creature is crouching, motionless, with bated breath.

Wait until the paper dries before beginning to work on the origami, passing your hand over the sheet repeatedly so that it does not sag at any point. Make a mountain and a valley fold with A and draw C and D to the 3 back.

Fold the two strips with the symbol inwards and fold the tip of corner E 9 backwards. Make a crimp fold corresponding to the belly by folding a mountain 15 and a valley fold both on the top and bottom layers in order to inflate the body and round it out.

Fold a small portion of the tips of the ears inwards, fold the corners 16 with the X symbol upwards and unfold the upper half of each ear, then model the muzzle by delicately pressing from above on the head towards the neck. By varying the size of the model, you can create an entire family of beautiful origami rabbits. An early photograph of an origami rabbit folded by Akira Yoshizawa. Start with the front half 7 After folding B at the bottom, fold in half. Fold the end of the chin and the legs to complete the front half 11 12 see page To join the front and rear halves, move aside outer layers E and F in the front half and fold back a thin portion of the inner corners on which you have superimposed the corners of the pocket of the rear half.

Fold them one over the other and cover with the outer layers E and F. Pull B from the inside in the direction of the arrows, then fold once 12 again as in 13 in order to obtain Form the tail by doing steps 15 through Fold the top and bottom layers of the belly, then reverse C and D 20 backwards.

You can create different poses and expressions by modifying the folds of the limbs and head. Fold the left and right corners of the head inwards from the front and from the right, then finish up by pulling the hands downwards.

The gorilla possesses a powerful skeleton and muscular system. For this reason, after completing the steps, insert a finger inside its body and inflate it to give it an even more robust appearance. Akira Yoshizawa with one of his origami gorillas. The Santa claus figure can also be transformed into an attractive christmas tree ornament, along with the other christmas origami models shown here—candles, stars and stockings.

The Santa claus model shown here was made with two sheets of superimposed paper—a red one on top and a white one beneath. The top layer was turned up along the edge of the jacket and the cuffs to reveal the white. In this version, the hands and legs were created from the underlying sheet and the legs were given no crimp folds. If you intend to hang this model as an ornament on a christmas tree, avoid folding the tip of the hat and the hand supporting the sack and omit the crimp fold on the legs.

If you follow these steps, the flame will be the color of the paper you have used. If you want, you can make different kinds of candles by using paper of various hues that is colored on only one side. In this way, if the white side serves as the principal color, then the color of the flame will always be different. Alternatively, you can use white paper and insert a little piece of colored paper to show the flame.

Fold 4 to obtain 5 , then reversing the direction of the folds push G in as in figure 6. On the inside, push C and D, which overlap on only one side, to form a pocket that you can close by folding A inwards. A coarse-grained paper with a corrugated surface will create a softer effect.

You can make large stockings and fill them with gifts. But is there such a thing as a good demon? In this origami, I have given it a try. Pull A and B, drawing them over the dotted lines, then make the two 9 crimp folds by executing folds 1, 2, 3 and 4 in that order. Fold the lower corners of the eyes behind, then insert C beneath the 11 upper jaw. Measurements are provided for the folds in steps 9 and 10 , though you need not follow them too precisely. Do not worry about spoiling the results. On the contrary, by varying the proportions, you will end up with lots of different demon faces.

The demons oni of Japanese mythology are not all of the same type. The can embody the spirit of ancestors and thus be benevolent or they can become an emblem of evil itself.

Depending on how they are interpreted, origami depicting them can assume one or the other aspect. In both cases, however, the primary concern is to express a supernatural power. Some demon masks protect people from evil spirits. During Japanese festivals, a large banner will flutter at the entrance to the village and the notes of the flute and the banging of kagura drums, the sacred music of Shinto, will resound everywhere as dancers wearing traditional lion masks pour into the streets.

Finally, raise F and G as you make a mountain and a valley fold. If you grab the ears and move them, the lion will open his mouth. The masks were constructed from two sheets of superimposed paper, one red, the other black. The ears were made by folding the outer layer of red inwards in order to expose the black of the underlying sheet.

Gently lift C and secure it in a way that the symbols labeling the figure 10 meet up. After making a mountain and a valley fold as in figure 1 , obtain the closed form of figure 2. Inverting the direction of the fold, unfold it in the direction of the 12 arrows. Unfold the snout in the direction of the arrows, reversing it towards 13 the exterior, then fold B about one third of the way up and shape the tail by executing the steps in the order shown in the illustrations of the detail.

Complete by extending wings A and C to the left and right. If you open the flaps gently in the upper part of B, as shown in the reference figure, the wings will become fixed. Stabilize them by sticking a toothpick into the snout, then insert a little hook to the end of one wing and tie a string to it. You can make the aeroplane fly up and down as in the illustration. Have fun creating this model using different types of paper. I wanted this lighthouse to arouse memories of the landscapes and seasons that I have experienced.

Of course, in contrast to creating animals and birds, it was not easy to make the model expressive and enable its form to exude feeling. However, as I conceived and worked on it, I thought about the solitary life of a warden who inhabits a lighthouse and the sea breezes that envelop it. Thus, I succeeded in transmitting, albeit through geometric structures, the sensations that a person may experience at viewing such a site.

They are well bundled up against the cold in heavy, hooded coats and padded pants and with their legs tucked inside snowboots. Once you have mastered the basic steps, you can have fun devising a variety of poses. Unfold 4. The position of valley fold 1 is the same as that of the fold in the upper part of figure 2. The position of the valley fold line is the same as in fold 1 in figure 2.

Traditional hand-made Japanese paper, known as washi, is ideal for making these origami children. It is often fabricated by artisans in these same mountain villages that are covered with snow for much of the year. Every sheet is made with infinite care and love. If exposed to snow at the right moment, the pulp of a particular species of mulberry, kozo, can be turned into a paper that is free of impurities and capable of transmitting a sense of softness.

Each fiber reflects light, which leads to an extremely elegant effect. The winter production of paper made with neri, a fluid extracted from a type of potato, is also of supreme quality. This translucent paper is used for shoji, the sliding screen doors in traditional Japanese homes, and is manufactured in the mountains of Nagano province.

Treated with tannin and allowed to dry naturally, without sun, neri paper takes on the texture of fine, soft leather. If stretched out to dry in full sun, it will end up resembling the robust skin of a healthy youth.

Hodomura paper, produced in the mountains of Tochigi province, is also made from pure mulberry fiber, but due to a special treatment it has the texture of a sturdy cotton fabric. At one time, it was reckoned at international exhibitions to be the best in the world.

Treated with tannin, it becomes very much like leather, while the dyeing processes and proper use allow it to improve the features and performance of paper to the highest level. Make a mountain fold in A and B to obtain figure Fold the four flaps inwards in the direction of their respective arrows 21 and shape the whole piece.

When providing instructions for these origami, use some tricks to make the process more fun. In figure 1 , the square sheet folded along the diagonal and set vertically recalls a seated animal. In this case, if the child is quite young, instead of asking what the figure resembles, sit next to him or her and together try to imagine a simple basic component that can be developed from the form.

In figure 2 , the point on top can be compared to a head, such that in figures 3 and 4 the central part of the sheet will become the body and the right point the tail. If this approach is taken, the meaning of each part with respect to the whole will naturally fall into place. By crumpling, then smoothing out the paper, or slightly tearing the edges with your fingertips, you can create the effect of a bristly hide. These origami figures can also be made with sheets that are not perfectly square, but rather irregular or rhomboid in shape.

The symbol which indicates the finished model is not used here. Every figure can be considered a model in itself, a possible variant. I have taken the origami models in this gallery from my corpus of work, choosing those that are particularly suitable for children.

Yet, they are not merely simplified forms meant for children. They also serve as the basic models of origami. Origami, as practiced up until now, has demanded mostly mechanical skill—taking a sheet of paper and executing a series of folds by joining corner to corner, edge to edge. My origami, in contrast, appeals to the creative freedom of the person who makes it.

As long as that person correctly maintains the direction and number of folds, the precise matching of folds and lines can be relaxed in order to obtain results that express individuality and convey sensations and feelings. By learning how to modify folds and correct them in order to come up with a variety of shapes, children discover a beauty that is more animated and vibrant than the static origami of the past.

As they increase their aptitude for science and logic, they will also develop their creative powers. It is important that the sheet of paper used is not be too stiff for the tiny, soft hands of a child.

The ideal is a square with sides measuring between 5 and 6 inches 12 and 15 cm. If the paper is too large, the child will struggle to grasp it within his or her line of vision and will not be able to handle it easily. Once the child has learned to work with a small sheet of paper, he or she will have no problem progressing to a large sheet.

Colored paper is nearly always required for the origami models and it is important that the sheets are of various types. By choosing shades that are appropriate for a particular subject, the child will become familiar with the basics of artistic creation. Using the origami that has been created—to arrange, combine or play with—is of interest to everyone and a source of pleasure.

It is a matter of expressing oneself freely by creating forms out of paper. This new compilation of origami has been enhanced by the addition of new models, some of which can be made in large sizes and have been greeted with enthusiasm by origami artists all over the world for their novelty and beauty.

Our hope is that creative origami will be able to transcend time and space, overcome geographical borders and arouse ever greater passion. Making a little bird or other animal in origami helps children appreciate the nature of living things. Legend Within the series of illustrations, some show enlarged details.

This symbol indicates the finished model. In the case of multiple layers, the symbol denoting the fold appears only on the top layer. Mountain fold: made by folding towards the back Valley fold: made by folding towards the front Fold forwards Fold backwards. You can also make the beak move 5 by holding it as shown in figure 9. These steps can be used to make the muzzles of different animals. Make the head move by holding it as shown in figure 4. Assemble all the parts to create a lovely ornament.

The origami here has been attached to a sheet of drawing paper to make it stand upright. The vase is made from a rectangular sheet of paper slightly rounded. If you make lots of flowers and leaves, you can arrange them in a glass or small vase. Make the stem by cutting a square sheet in two equal parts and rolling up one of the halves with tiny folds.

During this festival, people make paper dolls of the emperor and empress to display in their homes. Then make a valley fold in the opposite direction in order to obtain figure 4. After completing all the steps as far as 5 , insert a finger inside the tadpole to fill out its shape. If you use a square sheet of paper approximately 20 x 20 in 50 x 50 cm , the cap will be wearable. You can adjust it to the size of your head by sliding valley folds 1 and 2 along in figure 1.

Follow the steps in version 1 as far as figure 3. The rods in the photograph are willow wood chopsticks suspended on silk threads. Tie the rod with thread at this point to the end of rod 2. Identify point C on rod 2 as you did for rod 1, and tie a second thread here.

After folding the sheet along the vertical axis, fold it along the horizontal one. Finish by inflating the shell. Make a valley fold along the median of 2 keeping an eye on the main side. Using two fingers, pinch the lower extremity from behind and invert it on one side. Figure 2 is the same shape, but inverted, as figure 7 in the crab on page If you use a square sheet of paper about 20 x 20 in 50 x 50 cm , the cap will be big enough to be worn. The beauty of the waterlily will be enhanced if you use two superimposed sheets of different colored paper for the petals and sepals.

Origami dokuhon [Origami Reader], Ryokuchisha, Origami tehon [Origami Handbook], Froebel-kan Co. Tanoshii origami [Joyful Origami], Froebel kan Co. Origami ehon [Origami picture Book], Froebel kan Co. Creative Origami, kamakura shobo, ca. Origami Volume 1. Fun with Paper Folding, Froebel kan Co. Origami Volume 2. Utsukushii origami [Beautiful Origami], kamakura shobo, ; nyusaiensusha, Yasashii origami [easy Origami], kamakura shobo, ; nyusaiensusha, Origami hakubutsushi I [Origami Museum, vol.

Origami hakubutsushi II [Origami Museum, vol. Sosaku origami [Creative Origami], nippon hoso kyokai, Origami dokuhon II [Origami Anthology, vol. Origami Museum, kamakura shobo english edition of Origami hakubutsushi I, kamakura shobo, , with an introduction by Lillian Oppenheimer and a brief biographical sketch of Akira Yoshizawa. Origami sono uchu—Yoshizawa Akira. Tamozawa goyotei, Nikko, Sano Art Museum, Mishima, , Kaminokawa, Tochigi province, on the centennial of his birth.

See also front endpaper. She began collaborating with the Master in , translating various of his writings, including Origami Museum: Animals, vol.

Lang has been deeply involved in origami since the age of six when he discovered several instructions for traditional designs in a library book. This early beginning ignited a lifelong passion for the art. He has a phd in Applied physics from Caltech, and has used his mathematical and engineering training to advance origami, both artistically and in its applications to science and technology.

In his origami career, he has drawn upon many sources and influences, not least of which is the work of Yoshizawa-sensei. His works have been exhibited in many photography exhibitions in Japan and abroad. All models were folded by the Master except those on pages —1, which were executed with the collaboration of Kiyo Yoshizawa and Tamiko Kikugawa. All photographs are by Kazuo Hamada except the following: p.

The publisher has made every effort to trace the copyright holders of the images published in the present volume and is at the disposal of possible rightful claimants. A selection of freeze-frames from the video: Akira Yoshizawa in his youth; his famous Cicada; the Master during a lesson abroad in the summer of with a foreign pupil; the artist in prayer before beginning to fold an origami.

A DVD edition with various additional materials was distributed in The documentary includes some original origami created by Akira Yoshizawa in the final years of his activity. Lang: photo by Steven A. This beautiful origami book is the first comprehensive survey of the extraordinary work of Akira Yoshizawa. In addition to 60 models from his private collection, it features over 1, original drawings by the artist, and English translations of his writings in Japanese on origami, all of which are published here for the very first time.

Akira Yoshizawa also contains an explanation of the Master's personal philosophy of origami by Yoshizawa's widow, Kiyo Yoshizawa and an insightful introduction from Robert Lang, a leading artist and exponent of origami art in the West. I can only dream of succeeding like he did. Lang, one of the worlds foremost origami artists and scientists, presents the never-before-described mathematical and geometric principles that allow anyone to design original origami, something once restricted to an elite few.

From the theoretical underpinnings to detailed step-by-step folding sequences, this book takes a modern look at the centuries-old art of origami. He served as a bridge between past and present—between the ancient traditional craft and the development of origami as a contemporary practice—inventing new techniques and in preserving the traditional Japanese forms.

In fact, the notational system of diagrams widely used today to indicate how models are folded was developed mainly by him. These three-dimensional models are created from a number of small pieces of paper that are easily folded and then cleverly fit together to form a spectacular shape.

They range from paper polyhedra to bristling buckyballs that are reminiscent of sea urchins—to ornate flower-like spheres.